{"id":41855,"date":"2022-11-28T09:59:19","date_gmt":"2022-11-28T08:59:19","guid":{"rendered":"https:\/\/visitdistrikt.rs\/?p=41855"},"modified":"2022-11-28T09:59:19","modified_gmt":"2022-11-28T08:59:19","slug":"how-well-do-you-know-the-novi-sad-neo-avant-garde","status":"publish","type":"post","link":"https:\/\/visitdistrikt.rs\/en\/2022\/11\/28\/how-well-do-you-know-the-novi-sad-neo-avant-garde\/","title":{"rendered":"How Well Do You Know the Novi Sad Neo-Avant-Garde?"},"content":{"rendered":"\t\t
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This is just one of the moments that illustrate the life and death of the Novi Sad neo-avant-garde, a conceptual art movement that defined the period from the late 60s and the 70s in this city, and kept up to date with the international artistic tendencies of the time. There are many such stories \u2013 some of the key figures of this movement, you might bump into while taking a walk, see at the local bookstore drinking their first-morning coffee, or choosing new releases of records \u2013 others are immortalised in various galleries, museums and private collections, while there are also those who, unfortunately, left Novi Sad, or stopped creating.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The Flourishing of the Novi Sad Alternative Scene<\/h2>

The phenomenon of the Novi Sad neo-avant-garde was not unique, that is, not an isolated case \u2013 it belonged to a wider context of similar collectives that followed newly established artistic practices such as happenings, land art, performance and body art, language experiments, etc., present in other Yugoslav cities such as Belgrade, Zagreb, Subotica, Zrenjanin, Ljubljana, etc. Nevertheless, in the 1970s, Novi Sad was relevant on the cultural map, primarily thanks to the famous Tribina mladih<\/strong> (today\u2019s Cultural Centre of Novi Sad in Katoli\u010dka Porta), a youth centre that cultivated radical breakthroughs in the field of art, as well as both the Index magazine published by Matica Srpska and Polja magazine, which, perhaps paradoxically, were oriented towards alternative and progressive artistic tendencies and gathered artists prone to the provocation of the aesthetic norms of the time. Tribina mladih thus became a symbol of a new, different, and dare we say, for the time, anti-establishment art. It was a symbolic meeting place from which the K\u00d4D<\/strong> <\/em>groups emerged (Branko Andri\u0107, Slavko Bogdanovi\u0107, Ferenc Ki\u0161-Novak, Janez Kocijan\u010di\u0107, Miroslav Mandi\u0107, Mirko Radoji\u010di\u0107, Slobodan Ti\u0161ma and Pe\u0111a Vrane\u0161evi\u0107), Januar<\/strong><\/em>, Februar<\/strong><\/em>, and the Grupa (\u018e<\/strong><\/em> (\u010cedomir Dr\u010da, Vladimir Kopicl, Ana Rakovi\u0107 and Mi\u0161a \u017divanovi\u0107), who are from contemporary point of view, considered eminent representatives of the Novi Sad neo-avant-garde.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Young Artists\u2019 Revolt and the End of an Era<\/h2>

Carried by the wave of student demonstrations from the now famous and ground-breaking 1968, the artworks of these collectives and individuals that we recognise today as neo-avant-garde were rooted in the moment of their creation \u2013 they asked questions, gave new and different answers, opened up new fields of play (in form, language, politics), experimented and tried to see how far they could go in their works. They were defiant and provocative, but also thoughtful. They contextualised and connected with the international cultural scene \u2013 it is important to note that the K\u00d4D group participated on the international scene by exhibiting at the Paris Biennale<\/em> (albeit in a smaller capacity, since the very invitation to this art festival was perceived differently from the artistic point of view of the members), a place of legitimacy in a sense.<\/p>

In addition to excitement, chaos, courage, (and, hopefully, fun), which were certainly part of the practice of these mini-collectives, the common denominator would be youthful rebellion, a kind of transgression, which will bring them into disfavour of the cultural policy and regime of the time \u2013 neo-avant-garde art rested on transgression, experiment, and deconstruction of existing forms. In other words, it was threatening in its novum and boldness. Critical of the oppressive dogmatic views of the time regarding both art and politics, like many vanguardists before them, the protagonists of the Novi Sad scene were gradually side-lined \u2013 some were removed from editor spots of the Tribina mladih<\/em>, others were banned from working, while some were marginalised or revolted to the extent that made them give up on creating art altogether. Many still participate in cultural life, either institutionally or from the alternative scene. Most of the ones who stayed in Novi Sad drink their coffee at the same bookstore. But then again, the nature of avant-garde trends is that no sooner have they flared up than they die: historical avant-gardes were a response to a period of social turmoil \u2013 they operated in that kind of liminal space, which sooner or later disappears, but behind which a trace remains, even as a poster on the wall of a favourite pub.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Novi Sad Avant-Garde Lives On!<\/h2>

The spirit of the avant-garde will revive again in Novi Sad, through the rich Other? Europe<\/strong> <\/a>programme. We invite you to discover the phenomenon of Novi Sad and international neo-avant-garde at the exhibition Milky way<\/a><\/strong>, which will be the crown jewel of the European Capital of Culture<\/a> year in the coming days. The multimedia exhibition awaits us from 25<\/strong> November at three locations in the city \u2013 at the Museum of Contemporary Art of Vojvodina, the CCNS Art Saloon, as well as in the District. Feel the powerful influence of the avant-garde and rebellious voices. This great exhibition will close off the ECoC title year and show the influences and reflections of the widely known Novi Sad neo-avant-garde movement, placing Novi Sad on the European art map. See the great works of over 50 contemporary artists, and art collectives from the country and abroad<\/strong>, such as Bill Viola, one of the leading contemporary artists who exhibited at the MoMA, Tate and Whitney Museums, as well as the work Irritation \u2013 There is a Criminal Touch to Art<\/strong> by a conceptual German artist<\/strong>, one of the pioneers of performance art, body art and Polaroid photography, Ulay<\/strong>, which will be shown in cooperation with the Ulay Foundation from Ljubljana. The exhibition was curated by Sanja Koji\u0107 Mladenov<\/strong>. Watch the video below.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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*The artistic duo Dei Le\u010di consisted of Bora Vitorac and Dragoljub Pavlov. Vujica Re\u0161in Tuci\u0107, one of the most prominent neo-avant-garde Yugoslav artists (from Zrenjanin) considered them pioneers of new art forms such as happenings, performance, and the art of actionism.<\/p>

Author<\/strong>: Marina Savi\u0107<\/p>

Photo<\/strong>: avantgarde-museum.com<\/a>, Promo\/ECoC<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

In one, now former, iconic tavern in Novi Sad, there was, appropriately, a poster on the door of the toilet that read Dei Le\u010di* \u2013 every time you opened the door, you would find yourself face to face with a black and white tongue sticking out and a cart that seemed to be going right at you. Many guests, of course, had no idea what the poster represented, nor who were the two guys in the photo that was, after all, adorning the toilet door. It turns out that Dei Le\u010di was an artistic duo, whose works are now represented in the collection of the Museum of Modern Art in New York (MoMA), and that the gentleman sitting in the corner, usually drinking tea, is one of those two in black and white (perhaps the one with his tongue out).<\/p>\n","protected":false},"author":13,"featured_media":41806,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[1015,286],"tags":[],"yoast_head":"\nHow Well Do You Know the Novi Sad Neo-Avant-Garde? - Visit Distrikt Novi Sad<\/title>\n<meta name=\"description\" content=\"Novosadska neoavangarda \u017eivi! 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